{"id":1030,"date":"2015-08-13T15:09:35","date_gmt":"2015-08-13T15:09:35","guid":{"rendered":"http:\/\/www.edituraunmb.ro\/?product=concertul-pentru-viloncel-si-orchestra-in-muzica-romaneasca-contemporana"},"modified":"2015-08-13T15:11:54","modified_gmt":"2015-08-13T15:11:54","slug":"concertul-pentru-viloncel-si-orchestra-in-muzica-romaneasca-contemporana","status":"publish","type":"product","link":"https:\/\/www.edituraunmb.ro\/?product=concertul-pentru-viloncel-si-orchestra-in-muzica-romaneasca-contemporana","title":{"rendered":"Concertul pentru viloncel \u0219i orchestr\u0103 \u00een muzica rom\u00e2neasc\u0103 contemporan\u0103"},"content":{"rendered":"<p>\u201eDac\u0103 \u00eentr-un volum anterior, Marin Cazacu ne propunea \u00eenceputurile \u015fi consolidarea muzicii concertante pentru violoncel (la Constantin Dimitrescu \u015fi George Enescu), ne conduce acum prin c\u00e2teva decenii recente. Grani\u0163ele temporale sunt stabilite de primul <em>Concert<\/em> al lui Anatol Vieru (1962) \u015fi de ultima crea\u0163ie a lui Pascal Bentoiu, desigur, un <em>Concert pentru violoncel<\/em> (1989). \u00centr-un mod subtil, aceste repere apar drept mai mult dec\u00e2t limite cronologice auto-impuse: ochiul cititorului poate s\u0103 observe c\u0103 ele devin \u015fi centre de greutate ale analizei autorului.\u00a0Traseul este asem\u0103n\u0103tor cu cel din cartea precedent\u0103\u015fi urmeaz\u0103 consecvent, cu grij\u0103, \u00eembinarea surselor bibliografice cu propria perspectiv\u0103 asupra unei partituri deja interpretate. O dat\u0103 \u00een plus, este evident c\u0103 Marin Cazacu face parte dintre acei pu\u0163ini interpre\u0163i care trec cu dezinvoltur\u0103 de la prezen\u0163a pe scen\u0103 la reflec\u0163ia teoretic\u0103.\u201d (Valentina Sandu-Dediu)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201eDac\u0103 \u00eentr-un volum anterior, Marin Cazacu ne propunea \u00eenceputurile \u015fi consolidarea muzicii concertante pentru violoncel (la Constantin Dimitrescu \u015fi George Enescu), ne conduce acum prin c\u00e2teva decenii recente. Grani\u0163ele temporale sunt stabilite de primul Concert al lui Anatol Vieru (1962) &hellip; <a href=\"https:\/\/www.edituraunmb.ro\/?product=concertul-pentru-viloncel-si-orchestra-in-muzica-romaneasca-contemporana\" style=\"padding-left:10px;\">Mai multe detalii<\/a><\/p>\n","protected":false},"featured_media":1031,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false},"product_brand":[],"product_cat":[114],"product_tag":[],"class_list":{"0":"post-1030","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-114","7":"p_author-marin-cazacu","8":"t_lucrare-carte","10":"first","11":"instock","12":"shipping-taxable","13":"product-type-simple"},"acf":[],"_links":{"self":[{"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=\/wp\/v2\/product\/1030","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=\/wp\/v2\/product"}],"about":[{"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1030"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=\/wp\/v2\/media\/1031"}],"wp:attachment":[{"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1030"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_brand&post=1030"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_cat&post=1030"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/www.edituraunmb.ro\/index.php?rest_route=%2Fwp%2Fv2%2Fproduct_tag&post=1030"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}